Editor's note

One of the big stories in the news this week was the death at the age of 90 of George Martin, a British musician and record producer best known for producing most of the work by The Beatles in the 1960s.

The pairing of The Beatles and George Martin has gone down in history as one of the greatest band and producer combinations ever. Back in the 1960s, records were basically made by recording a bunch of musicians playing live together in a room. There were no computers, synthesisers or drum machines — just microphones to capture what the musicians were playing to put down on tape.

Despite the relatively "primitive" equipment used to record back then, producers like George Martin were able to make recordings that sound as good, if not better, than anything produced in today's high-tech digital recording studios. The Beatles' records in particular still sound as great and timeless as they did when they were first released.

In a period of less than eight years, in addition to undertaking several world tours, making four films, performing numerous radio and television broadcasts and recording various solo albums and film soundtracks, The Beatles recorded and released 13 official albums, with George Martin producing all but one. That's a lot of hard work, and made all the more amazing due to its consistent high quality.

George Martin was a musician himself with a great knowledge of different styles and instruments, and his work arranging and writing parts for instruments that The Beatles couldn't play, such as orchestral strings and brass instruments, greatly enhanced the band's later recordings. Martin was also better than almost any other producer at perfectly capturing the sounds of a huge variety of instruments on tape, using recording equipment that was very basic by today's standards.

After The Beatles broke up, George Martin continued to produce different artists and make records. He also wrote the score for the 1973 James Bond movie, Live and Let Die. All in all it was a long and remarkable career for one of the greatest record producers that the world will ever see and hear.

Ben Edwards
Editor
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